Made in dagenham review
Made in dagenham book
Much of the grimness and bitterness that you might associate with industrial action is gone, and some of the women themselves are surely more glamorous than was the case in real life. But when Rita is seen on the telly and she is , she makes it all seem so simple because it is. Treating workers with respect is probably fundamental to a happy work force which will likely spiral more positives for a company, but mistreat and undermine your workers, then it's a course that's set for disaster. After a harsh response from the management, the furious women up their demands to that of automatic equal pay for all women workers: the stage is thereby set for a showdown with Ford that paves the way for the Equal Pay Act. And it is this macro aspect that I found to be refreshing because it links everything up very nicely, albeit simplistically, to show how businessmen and politicians make for strange though necessary bedfellows when talking about and dealing with the economy. On the micro level, this story deals with how women have their work cut out for them, when they're out in the workforce, and yet having a family to take care of when back home. It's a reminder that we shouldn't take bread and butter issues for granted today, when there is much talk about fairness and equality at the workplace, although unions here are something quite unheard of yes they exist, but Pure and simple, it was a business decision. Her decision put the Labour Party on the spot. Jeannie Edwards is a sports journalist; she's nobody's "sweet baby", but Ron Franklin, her colleague at ESPN, sent their profession back into the caveman days of Phyllis George when he referred to the sideline reporter by that derogatory moniker, right after she interjected on a political matter, to which the twenty-year play-by-play announcer, in front of his on-air team, cut Edwards off by saying, "Why don't you leave this to the boys. So are corporations, and there may be a connection, but it's harder to say now that corporate political contributions can be secret. The strike at Dagenham changed history, in England and America, at Ford and many other manufacturers and elsewhere in the developed world. The acting is uniformly good, imo, and so is the story. Made in Dagenham resembles a naughty Carry On film, especially when the women have to strip down to their smalls in the sweltering shop-floor and their fatherly union rep Bob Hoskins gallantly covers his eyes with a cry of: "Oh my gawd!
Only last week, a Republican filibuster in the U. Lisa Rosamund Pikethe wife of a Ford executive, befriends Rita, an "Estates" housewife, and in turn, is befriended by the Secretary of State Miranda Richardsonwhen the machinist is summoned to Westminster for a meeting.
No, say corporations who will disregard anything in the search for profits. Rita is nothing like the women of Lizzie Borden's "Born in Flames", militant feminists who wouldn't dream of getting all dolled up the application of makeup, the wearing of a borrowed red Biba dress before starting up a revolution.
So are corporations, and there may be a connection, but it's harder to say now that corporate political contributions can be secret.
Yes, says common sense. That's largely due to director Nigel Cole's choice of Sally Hawkins for his lead. I would give it more marks but I felt it was done a little too much "by the numbers"; it was very predictable and tookA pleasant enough film about a significant event in terms of equal rights for women.
Some have argued that Sucker Punch isn't really about the empowering of women, so I guess this film fills that void through its embodiment of Girl Power. Made in Dagenham There could hardly be anything more exotic and unfamiliar in mainstream commercial cinema than the story of a successful strike.
The film itself is a bit sexed up. What an idea! The women went on strike, annoyed their unions and their husbands and embarrassed Wilson, who was caught with his principles down.
Made in dagenham true story
A dramatization of the strike at Ford's plant in Dagenham, William Ivory's screenplay didn't trivialize the tussle and fight between the workers and the unions that were perceived to represent their interest, and finally the employers themselves, in what would cover both the micro aspects of such an industrial action, to a wider macro economic focus with politicians and prominent business people thrown in the mix. But back to Dagenham. And the worst word of all, "man", is applied to both Rita "the fourth man" and Barbara Castle "the best man in my cabinet". Her activism, and the notion that "Made in Dagenham" is a social issue-based motion picture, loses some of its consciousness raising fervor the very instant we see Eddie in the crowd, and even more so, as Rita cuts through the assembled mass of bodies to reach him. You may disagree with me, but the role of a woman in society these days isn't exactly a walk in the park. Advertisement Why was this so? Miranda Richardson plays Barbara Castle, the cabinet minister not-so-secretly sympathetic to the women strikers and exasperated at the ambiguous evasions of her own boss, Harold Wilson, played in cameo by John Sessions.
based on 78 review