An analysis of romantic movement
An earlier definition comes from Charles Baudelaire : "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling.
The likes of William words worth, Samuel Taylor Coleridge and Williams Sister, Dorothy Wordsworth constituted some of such poets whose influence in the world of literature not only helped portray their relationship with nature and the world but also presented a form of relationship which existed between them and those close to them.
When shown in at London's Royal Academy exhibition, the painting shocked and frightened visitors. In works such as The Marriage of Heaven and Hell —93 and Songs of Experiencehe attacked the hypocrisies of the age and the impersonal cruelties resulting from the dominance of analytic reason in contemporary thought.
His antipastoral The Village appeared in This image depicts Urizen, a mythological figure first created by the poet in to represent the rule of reason and law and influenced by the image of God described in the Book of Proverbs as one who "set a compass upon the face of the earth.
Gros creates a dramatic tableau of light and shade with Napoleon in the center, as if on a stage. William Wordsworth and Samuel Taylor Coleridgemeanwhile, were also exploring the implications of the French Revolution.
Another striking difference between the two generations is that the writers of the first generation, with the exception of Blake, all gained literary reputations during their lifetime.
Sir Walter Scottby contrast, was thought of as a major poet for his vigorous and evocative verse narratives The Lay of the Last Minstrel and Marmion Before Wordsworth began writing his revolutionary new style of poetry, all preceding poetry had a very different style.
Writers tended to regard themselves as the most interesting subject for literary creation; interest in urban life was replaced by an interest in nature, particularly in untamed nature and in solitude. Displays of intense emotion in art remained prominent, as did the exotic and historical settings pioneered by the Romantics, but experimentation with form and technique was generally reduced, often replaced with meticulous technique, as in the poems of Tennyson or many paintings.
Characteristics of the romantic period
Does it mean giving flowers, spending an evening alone by candlelight, bringing home extravagant gifts, or reciting beautiful poetry. At first it meant only "like the old romances" but gradually it began to carry a certain taint. Poetry was regarded as conveying its own truth; sincerity was the criterion by which it was to be judged. An earlier definition comes from Charles Baudelaire : "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling. Even though the woman is bathed in a bright light, Fuseli's composition suggests that light is unable to penetrate the darker realms of the human mind. Originally the word was applied to the Latin or Roman dialects used in the Roman provinces, especially France, and to the stories written in these dialects. Wordsworth, who lived in France in —92 and fathered an illegitimate child there, was distressed when, soon after his return, Britain declared war on the republic, dividing his allegiance. In northern Europe, the Early Romantic visionary optimism and belief that the world was in the process of great change and improvement had largely vanished, and some art became more conventionally political and polemical as its creators engaged polemically with the world as it was. Ballets in Romantic period focus on the conflict between man and nature where as others try to bring difference to ballets from other nations. First and foremost is the appeal to emotions. For the rest of his career, he was to brood on those events, trying to develop a view of humanity that would be faithful to his twin sense of the pathos of individual human fates and the unrealized potentialities in humanity as a whole. The concept of the genius , or artist who was able to produce his own original work through this process of creation from nothingness, is key to Romanticism, and to be derivative was the worst sin. So, in literature, "much of romantic poetry invited the reader to identify the protagonists with the poets themselves". In works such as The Marriage of Heaven and Hell —93 and Songs of Experience , he attacked the hypocrisies of the age and the impersonal cruelties resulting from the dominance of analytic reason in contemporary thought. Most Romantics can be said to be broadly progressive in their views, but a considerable number always had, or developed, a wide range of conservative views,  and nationalism was in many countries strongly associated with Romanticism, as discussed in detail below.
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